Over the course of painting this new exhibition I have decided to change the name, so what started as ‘Painting the Welsh coast’ will now become ‘ North – South, A very Welsh Exhibition’. This is Mostly due to the fact that whilst at the coast I began venturing in land. I couldn’t resist. There are so many fantastic places to visit throughout Wales.
Behind the scenes, painting along the Welsh coast for my upcoming solo exhibition.
Ever since painting Barmouth Bridge a year or so ago I have been inspired to paint a collection of works along the Welsh coast. Working my way from North to South, following the coastline heading inland, here and there as and as I fancy. (This was the rough idea at least)
Commissioning a landscape painting is unknown territory for many people. So I’m writing this blog to take you ‘behind the scenes’ and show the whole process of commissioning your own landscape painting from start to finish. What the process involves and which choices you might make as the commissioner. This particular painting is being painted in the Swiss Alps.
As announced by La Côte journal this week in the article ‘making Constable Blush’, I open my first solo exhibition in Nyon, Switzerland. Bringing together all my landscapes, dating back from as early on as 2013, up to the present day.
The Swiss alps have enticed many landscape artists before me inspiring works, which in some cases have spanned throughout a painters whole life time. Switzerland and it’s stunning landscapes has produced many good landscape painters including Segantini and Ferdinand Holder. So now it’s my turn to follow in their snowy footsteps while I prepare for my next solo exhibition in Nyon next to Lake Geneva.
Winter Painting is right up my street, the outdoors and snow sports combined, so if there is an opportunity to go for a hike or a ski with my painting equipment in my backpack I’m there. These particular winter painting days came as a bonus though, with no travel needed it snowed right here on my doorstep!
I have spent this last week painting ‘en plein air’, discovering new parts of Wales to paint. With a long list of places to visit, but first stop was Elan Valley.
I am greatly inspired by many of the plein air painters from the European impressionist period, so painting outdoors by the water is my way of following in their footsteps.
Last week I enjoyed several days painting the beautiful Swiss scenery, en plein air. It’s a great way to escape the studio and keep painting, see new places and I usually take my painting equipment with me on holidays if possible.